- A CERAMIC CHRISTMAS TREE PLASTIC COLOR REPLACEMENT LIGHTS BULBS & STARS SECTION
- A GREAT FLASH SALE SECTION
- A GREAT HOLIDAY SPECIALS SECTION
- ACRYLIC PAINTS / BISQUE STAINS
- BISQUE UNPAINTED CERAMICS-MUGS- PLATES-BOWLS-PLATTERS FIGURINES
- BRUSHES
- CASTING CERAMIC SUPPLIES MOLDS/SLIP CASTING
- CHRISTMAS BISQUE / PLASTERCRAFT
- GLAZES UNDERGLAZES OVERGLAZES DUNCAN MAYCO
- JUDAICA FIRED/NON FIRED CHANNUKAH, PASSOVER
- KEMPER POTTERY TOOLS BY KEMPER
- KILN SUPPLIES SHELVES, POSTS, STILTS, CONES
- PUMPKIN CARVING TOOL SETS
- SPONGES & SANDERS
- SUPPLIES MISC.ITEMS YOU COULDNT FIND ARE HERE
- TILES BISQUE CERAMIC UNPAINTED/UNGLAZED LOW FIRE
- UNDERGLAZE PENCILS
Tips & Info
Scroll down to see places to fire ceramics
This page contains information in the area of ceramic crafts.
When using any products, please read labels carefully and always do a test sample before going into large production runs.
Firing results may vary from one kiln to another & one environment to another. We do not guarantee specific results.
Ceramic Dictionary of Terms
- Raku : Originally a name used by a Japanese family that made tea ceremony ware. Now refers to the process of raku firing and to ware glazed in such a firing. Raku ware is often reduced after firing by burying it in combustible material, then covering it with an airtight lid. This reduction atmosphere aids in producing luster or opalescent colors.
- Reduction : A firing in which insufficient air is supplied to the kiln for complete combustion. Under these conditions, the carbon monoxide in the kiln combines with the oxygen in the oxides of the clay body and glaze, causing the oxides to change color. Commonly associated with high-fired stoneware, porcelain, raku, and lusters.
- Refractory : Resistance to heat and melting. Refractory materials are used in porcelain and stoneware. Also used for building kilns and kiln furniture and in combustion with other materials, as kiln insulation.
- Relief : The projection of forms from a flat background in sculpture and decoration. The terms high relief and low relief describe the amount of projection above the background.
- Resist : A methods of applying a covering material such as wax, latex, stencils, or masking tape to bisque or glazed ware, then coating the piece with a slip, a glaze, or a second glaze. The resist material will not accept the added layer so that on firing, the color of the covered area will remain intact.
- Rib : A curved tool made of wood, metal, or plastic, used for shaping, scraping, or smoothing clay objects.
- Ribbing : use of a rib to shape moist clay, or scrape damp or dry clay.
- Rim : The edge of the opening of a pot.
- Salt glaze : A glaze formed by introducing salt into a hot kiln. The vaporized salt combines with the silica in the clay body, forming a sodium silicate glaze on the surface. Salt glazing releases noxious and toxic fumes, so many potters now use alternate forms.
- Scoring : Scratching or otherwise roughening the edges of damp or leather-hard clay before joining them.
- Secondary clay : Natural clay that has been moved by water or wind from its source and settled elsewhere in deposits.
- Sgraffito : Decoration of pottery made by scratching through a layer of colored slip to the differently colored clay body underneath.
- Shrinkage : The loss of volume in clay as it shrinks in drying and firing. Shrinkage varies from 7 percent to 20 percent from wet clay to fired clay, depending on the clay.
- Sieve : A utensil of wire mesh used to strain liquids or powder materials.
- Silica : Oxide of silicon. Found in nature as quartz or flint sand, it is the most common of all ceramic materials.
- Silicate of soda : A solution of sodium silicate that is used as a deflocculant to help in the suspension of clay materials in slip.
- Slab roller : A mechanical device for rolling out slabs to a set, consistent thickness.
- Slip : A suspension of clay in water used for casting pottery or sculpture in molds. Slip can also be used for painted decoration or for the sgraffito technique.
- Slip casting : Forming objects by pouring slip into a plaster mold. The mold absorbs the water in the slip so that the solid clay walls are formed to create a positive of the original.
- Slip glaze : A glaze that contains a large proportion of clay. Generally one that contains enough flux to form a glaze with few or no additives.
- Slip trailer : A rubber syringe used to apply decorations of slip on ware.
- Slurry : A thick, creamy mixture of clay and water.
- Spray booth : A ventilated booth that removes chemicals and fumes from the air so that the person spraying does not inhale them while spraying glazes, underglazes, or overglazes.
- Spray gun : A gun-like device through which compressed air passes, forcing the air into a fine mist for application. Used for spraying glazes.
- Spraying : In ceramics, a method of applying glazes using a spray gun.
- Sprigging : The process of applying low-relief decorations of damp clay onto already formed greenware.
- Stains : Commercially processed and refined raw chemicals which yield ceramic stains and offer a wide range of shades for coloring and clay and glazes. They are generally more color stable than oxides.
- Stilts : Triangular supports with either clay or heat-resistant metal points, used to support pieces of glazed pottery above the shelves during glaze firing to keep the glaze from sticking the ware to the shelf. Small stilt marks can be filled, sanded, or ground smooth.
- Stoneware : A type of clay body fired to a temperature at which the body becomes vitrified, dense, and nonabsorptive, but not translucent. Usually matures at temperatures above 2192 degrees F.
- Temper : Any material, such as sand, mica, or grog, added to a clay body to make it more porous and less likely to shrink and warp.
- Tenmoku : High-fired, saturated iron glaze; black, brown, and yellowish. Used by the Chinese and Japanese, especially on tea ware. Still a popular glaze.
- Terra-cotta : A low-fire, porous, reddish clay body, frequently containing grog and other temper. Used throughout history for common, utilitarian ware; also used for sculpture.
- Terra sigillata : A fine slip glaze. Used by the Greeks, Etruscans, and Romans to coat their pottery. Now formulated into a wide variety of colors.
- Test tiles : Small tiles made of clay used to test clay bodies in the kiln or to test glazes on a specific clay body.
- Thermal shock : The stress to which ceramic material is subjected to when sudden changes occur in the heat during firing or cooling.
- Throwing : Forming objects on the potters' wheel using a clay body with plastic qualities.
- Trailing : A method of throwing in which slip or glaze is applied using a syringe.
- Trimming : In ceramics, this refers to trimming excess clay off the foot and sometimes the body of a pot to refine the shape.
- Undercut : A negative space in a solid form, creating an overhang. Casting a form with undercutting requires a multi-part mold to release the mold from the cast.
- Underfire : To fire clay or glaze-accidentally or deliberately-to a point below its maturing point. Underfiring can turn a normally glossy glaze into a matte finish.
- Underglaze : Any coloring material used under a glaze. The color can be provided by commercially prepared glaze and clay body stains.
- Updraft kiln : A kiln in which the heat goes up through the chamber and is vented through the top of the iln.
- Vitreous : Having the nature of glass. In ceramics, a glaze or clay body that has been fired to a dense, hard, and nonabsorbent condition. High-fire glazes vitrify and combine with the glassy particles that form in the high-fire clay body as it approaches vitrification. This results in a glaze that is united with the clay body as compared to a low-fire glaze that merely coats the glaze.
- Warping : Changes in the form of a clay body. Warping of ware can occur during drying or firing if the walls are built unevenly or if drying or firing is too rapid and uneven.
- Wax resist : A method of decoration in which melted wax or oil emulsion is painted onto the clay body or onto a glazed piece.
- Wedging : Anyone of various methods of kneading a mass of clay to expel the air, get rid of lumps, and prepare for a homogenous material.
- Wedging table : A table of plaster, wood, or concrete, often covered with canvas, on which clay can be wedged. A stretched wire attached to the table allows one to cut the clay to check for air bubbles, lumps, or lack of homogeneity.
Alabama
Greg Skipper 334 356-0904 gregskipper@usa.net
Alaska
Ceramics Studio of fairbanks 907-457-7359 ceramicstudiooffairbanks@yahoo.com
Arizona
Marilyn Totonchi Artsy Phartsy 480 217 0260 totonchi@worldnet.att.net www.artsyphartsy.net Chandler az
Michelle Lowe Desert Dragon Pottery 602-690-6956 Mishy@desertdragonpottery.com desertdragonpottery.com Phoenix AZ
California
Ceramic Art Space 6020 Woodman Ave. Van Nuys, Ca. 91401 818-782-1500 outside Ca. toll free 1-888-CERAMIX info@ceramicartspace.com www.ceramicartspace.com
Josh & Paula Richling 760-247-0877 LINQ 760-247-0877 goincrze@juno.com Apple Valley ca
Doug & Edith Elfving 760-347-8805 delfving@geodata-analytics.com Indio CA
Jewell Boen Boen's Crafts 559 626-0801 BoensCrafts@aol.com www.worldzone.net/arts/boen/
Fresno, Reedley, Dinuba CA
Leatha Ruchty TMS Enterprises 760-4511802 leathap2@cs.com Fallbrook CA
Laurel Street Arts 650-591-1005 San Carlos CA info@laurelstreetarts.com www.laurelstreetarts.com
Laurel Street Arts provides firing services for ceramic artists who work at home. .
Tim O'Neill Bad-Dog Pottery (559) 786-6577 kilnguy@biggovtsucks.com Visalia - So. San Juaquin Valley CA
Gabriell The Red Ladder 925.829-3733 www.theredladder.com Dublin Ca
Judith Enright Black Leopard Clayware 408-448-4597 bleopard@pacbell.net www.bleopard.com San Jose CA
Ann Hood Hood Services 310-713-5737 ahood@flamingohood.com www.flamingohood.com Torrance CA
Leonie Barel leonieb@barak-online.net Los Angeles
Annie E. Doryk WetDog Studio 805-481-7992
Arroyo Grande, CA WetDOGraphx@hotmail.com
Ki & Yulia Cho Echo Ceramics 310-815-1525
West Los Angeles CA echoceramics@earthlink.net
www.echoceramics.com
ALIXANDRA POTTERY
gallery studio instruction
4505 S. Centinela Avenue
Lisa Conley The Greenware Gallery (613) 969-7858 conley_ca@yahoo.ca www.greenwaregallery.ca Foxboro, Ontario Canada
Susan Barrow The Treasure Hut Ceramics (604)793-4302 susanbarrow@telus.net Chilliwack, B.C. Canada
Ken Friesen Froze Inc. 519-733-3607 kfriesen1@cogeco.ca www.frozeinc.com Kingsville, ON, Canada ON
Debbie Adams, 613-384-2194, debbieadams@hotmail.com
Kingston, Ontario, Canada
Lorry Lorak Creations 1lorry@attbi.com Fort Collins CO
We have a Skutt 1027 electric kiln in Northern Colorado.
Connecticut
Morty Bachar www.lakesidepottery.com
203-323-2222 Studio@lakesidepottery.com>
Debbie Altschwager The Clay Lady 860-693-6460 dlha@aol.com Collinsville CT
Delaware
Susan Brightman, CeramicsPlus Studio, Ocean View, DE
302-541-8258 ceramicsplusstudio@mchsi.com
www.ceramicsplusstudio.com
Low-fire and high fire up to ^6
Florida
Claypotter claypotr@hotmail.com Tampa, FL Small electric kiln for hobbiest.
Ann Smith Smitty's Ceramics Inc. Bus. 954-733-2999 annsmith@excelonline.com or smitty341@hotmail.com Tamarac FL
Jonathan Hawkins St. Petersburg Clay Co. 727-896-2529 (CLAY) spcc@spcc.com www.stpeteclay.com St. Petersburg FL The St. Petersburg Clay Co.
Robs Kiln Service & Sales Co. Largo Florida 727-798-1053 From Gainsville to Ft Lauderdale
Laura Marmol Key Biscayne, Fl 305-365-1753
lauramarmolc@yahoo.com Electric kiln
Mike & Joyce, Joy-Bay Wholesale Ceramics, 727-548-8889 Pinellas Park, FL grega@joy-bay.com http://www.joy-bay.com
Georgia
Sue Youngblood The Crafty Fox craftyfox@knology.net Columbus GA
Mark Issenberg Lookout Mountain Pottery 706-398-3232 ashpots@aol.com www.lookoutmountainpottery.com Rising Fawn GA
Henrietta Paul Retta's Ramics & Gifts (229)-883-4084 laram51@hotmail.com Leesburg, Albany Area GA. All ceramics, pricing- negotiable
Jean Stewart, Sunny Side Pottery 706-782-6053
mamojean@alltel.net Tiger, GA
Illinois
Charlie Watts Panther Creek Products, Inc. 618-965-9577 pancreekusa@egyptian.net www.weddingspersonalized.com Steeleville IL
Kelly Schaible Custom KitchenWare 847-736-6489 CKWdesignerKR@aol.com www.customkitchenware.com Crystal Lake Illinois Area IL
Ed Dvorscak 815-477-2213 morrison-dvorscak@juno.com Crystal Lake IL
Melodee Vicars HandsNClay 260-402-1067 Fort Wayne, IN www.handsnclay.com Melodee@HandsNClay.com
Karen Hinz, Oak Hill Studio, Monticello, IN
574-583-0796 OakHillStudio@comcast.net
Angela Kieler studio potter 913-894-1609 abkieler@yahoo.com Kansas City
Louisiana
Terri Kennedy Potterri 225-664-7667 Terri@potterri.8m.com http://www.potterri.8m.com
Baton Rouge LA
Jerry Manuel (337) 583-7697 jerrylmanuel@netscape.net Sulphur, LA
Earl & Rae Murphy (985) 542-2983 dremurphy@i-55.com Hammond LA
Maine
Andrea Ciak rufusandmax@panax.com Belfast, ME
Maryland
Susan Brightman CeramicsPlus tangle1952@comcast.net
49 Cedar Knoll Road Cockeysville, MD 410-666-0238
Emily Canady threesquarecreations@gmail.com Skutt 822-3 Usual firings to cone 06 and cone 10, other temperatures can be arranged.
Contact for pricing and questions. - Aberdeen, MD
Massachusetts
Jessica Kleinerman, The Clayspot, Easthampton, MA 413.529.2020 jessica@clayspot.com www.clayspot.com
Sharon Levy, Ancient Echos Arts 978-869-2912 North Chelmsford, MA www.ancientechosarts.com ancientechosarts@gmail.com
Michigan
Ray Gross, SunnyLane Ceramics, White Cloud, MI 231-689-3975
ray@sunnylaneceramics.com www.sunnylaneceramics.com
Minnesota
Beth Robinson Fired Up, Inc. 612-852-2787 firedupinc@attglobal.net www.firedupstudios.com Minneapolis MN
None sorry
The Kiln Doctor
Cathi Newlin StudioDog 660-382-5451 Mercer, Missouri typicalgirl@stinkbalm.com http://www.stinkbalm.com/studiodog
Teresa Whitney The Old School 573-754-5540 or 7988 teres@big-river.com Louisiana, MO
Montana
John Stromnes, Studio potter
406-883-6684
mudworks@compuplus.net
POLSON, MT (8 m. north off US93)
New Hampshire
North Carolina
Irene Miller irenemiller@hotmail.com
Fayetteville, North Carolina
Tish Gay Eight Oaks Farm 919/496-8009 tishgay@hotmail.com Zebulon NC
North Dakota
Brad Bachmeier Bachmeier Pottery & Sculpture 701-271-0616 Fargo ND
New Jersey
Cynthia Schaefer Schaefers Studios cynthiaschaefer@email.msn.com
Egg Harbor City NJ
New Mexico
Joyce Phillips Jo's Pottery and More 505-865-1742 ksingone@aol.com Los Lunas out side Albuquerque NM
Kathy Potoski 845-623-1106 kathypotoski@spyral.net West Nyack, NY Electric skutt 1027 Usually fire to cone 6
Chris Pagano TACK Ceramics (315) 633-8032 cpagano@twcny.rr.com http://www.ebaystores.com Syracuse NY
Ohio
Cindy McNamara Cindy's Country Ceramics 419 335-1343 darrylmcnamara@msn.com Fayette,Ohio
Marcina Kapusinski StoneLight Crafts 330-686-7969 StoneLight@neo.rr.com www.stonelightcandles.com Stow OH
Ann Judy Starbrick Clay, 21 W. Columbus Street, Public Square, Nelsonville, Ohio, 45764 USA 740-753-1011
starbrick@frognet.net www.starbrick.com
Oklahoma
Deborah Phillips Yakimono Toki Studio 405-489-3173 Oct-Apr studiotoki@aol.com Cement OK (near Oklahoma City)
Willa Griffin 405 590-6180 or 567-1702 willa@brightok.net
Prague, OK,
Oregon
Michael Hammond Trail Oregon Pottery 541 8783012
mch@mighty.net 35 miles out of Medford, OR
Pennsylvania
Dave Neumann R&T's Creative Oasis 814 237-1982 oasis1@penn.com www.thecreativeoasis.com State College PA
Cathleen McGowan, Purring Banshee Studios, (717)337-3657
ayiloda@yahoo.com www.purringbanshee.com Gettysburg, PA
South Carolina
Sammy Shuford Home Hobbiest 843-851-0242, starship@cchat.com Summerville SC
M.T.Arial Clay Studio South Carolina 803-772-4757 MTU18354@aol.com Columbia and Lexington SC
Kathy Brown Kreations by Kathy 843-556-1305 kbk-carolinakiln@msn.com Charleston SC
Tennessee
Ted Keesee Willow Creek Pottery 540-466-2477 tedk@bvunet.net Bristol VA (near Tennessee border)
Texas
Didi Fletcher 214-718-5160 didi.fletcher@comcast.net Plano, TX
K.C. Marks ClayMarks Studio (409)621-5618 Galveston TX
Elliott Strom Wilderness Ridge Camp 512-360-2330 elliott@wildernessridge.com www.wildernessrigde.com Smithville, TX
Kathleen Law 940-716-0715 cheysouix@wf.net Wichita Falls TX I have two large kilns; one Duncan that is used for ceramic pieces and fired to cone 04. The Cress is used for high fire pieces such as porcelain, etc. and fired to cone 10. Pricing as per piece; typically half the cost of the greenware with a minimum of $10 per load. I also have a small kiln for miniatures and decals of smaller items. I work a varied schedule as an engineer for the Railroad so please email me if you'd like to have me fire your pieces. I would appreciate it if you brought your desired cone but I do have a number of the more common sizes on hand. A phone call is acceptable also but if you get the answering machine, just leave a message and I will return your call as soon as possible.
Lily Lomeli 713-771-5199 Houston, TX
lilylomeli@aol.com
Liz Montgomery Lucky Lizard Ranch 936-756-1579 lizardrn@consolidated.net www.luckylizardranch.com Conroe TX
Vermont
Creative Space, the Art Gym here in Rutland, Vermont. http://members.aol.com/creatvspce/
802/773-4350 from 11-8 M-F, 10-8 Sat, 12-4 Sun, or leave a message.
Virginia
Toni Gregory, Gregory Studio and Ceramic Supply Studio
1122 Westbriar Drive Richmond, VA 23233 Work phone: 804.750.2595 FAX: 804.750.2595 potterychic@aol.com or Gregory Studio@aol.com
Melanie
Black Rose Studio redbopeep@yahoo.com Roanoke VA.
Pat Lester, Spun Earth Pottery 804-385-7687 pat@spunearth.com www.spunearth.com Forest, Va
Deborah Abel
Ceramics and Crafts by Debbie 540-710-1081 dabel@va.prestige.net Fredericksburg Va
Ted Keesee Willow Creek Pottery 540-466-2477 Ted41564@chartertn.net Bristol VA
Deborah Abel Ceramics and Crafts by Debbie 540-710-1078 jabel@va.prestige.net
Fredericksburg, VA
Sandi Barber Wolf'S Den Ceramics (540) 832-0585 kcerwolf@aol.com Barboursville, Va
DAN PERKINS 540-772-0711 StrBrite00@aol.com Roanoke,VA
Washington
Pat Colyar
15030 418th Ave. SE Gold Bar, WA 98251 (about 40 miles from Seattle) 360-793-1305 pcolyar@firetrail.com
http://www.firetrail.com/~pcolyar
Dave Ohlson DREUBENS 920-868-1446 ohlsondr@msn.com www.dreubens.com In egg Harbor Wisconsin wi 3 electrics 2-7cubic electrics and one 5 cubic 2 lpg gas kilns 2 raku kilns. pricing would be depending on size of pieces fire from 05 to cone 8 I have plenty of kiln to go around will load the pieces be glad to help potters who do not have kilns
Gail Kummer Stone School Craft Guild, LLC 262-642-7735
info@stoneschoolcrafts.com www.stoneschoolcrafts.com
East Troy, WI